It’s that magic that he has. I just listened to records. I remember that Paul McCartney threw this guy off stage who was the best fighter in Sunder- land. When asked of his music inspirations, Olsson first mentions the Beatles. We always were touring some songs that were still in the can, basically, and we didn’t have time to sit back and think, ‘Wow! : I always wanted to, even as a little lad at boarding school. NO: Central Park was a highlight and seeing that many people in the daylight. I hated math and I couldn’t understand why anyone would want to take Latin unless it was to become a doctor. when I went into the control room and listened back. Something would break down and they would take a couple of weeks to get it to me. It frightens me sometimes. As I said earlier, it is basically the ballads that I love. Only permitted at first to play on one track of each of John's early studio albums, Olsson and Murray, along with guitarist Davey Johnstone, became Elton’s studio band with the recording of Honky Chateau in January 1972. Let’s do this together here,” but we wouldn’t sit down and write down what we would do. I played with Neil Sedaka on his comeback, so being part of history is a great feeling. They were screaming so loud that the Beatles stopped playing and John said, “If you don’t shut up, we’re going home.” That was the inspiration. Then I grew up a little bit. They wear out, but they rarely break. In some auditoriums, the echo is incredible. The UK's lockdown rural property hotspots revealed: Ryedale, Sevenoaks and Herefordshire are top of the... Homes are 'flying off the shelf' in some areas as house prices climb to record high - but will local... Police fine 12 members of football team drinking together in pub after they claimed to be all from same... Now show us your papers! Nigel Olsson (born 10 February 1949) is an English rock drummer and singer best known for his long-time affiliation with Elton John.. A dynamic drummer and backing vocalist, Olsson helped establish the Elton John sound as a member of John's original power trio alongside bassist Dee Murray.When not working with John, Olsson has taken up the role of a session musician. Beagle, Jul 23, 2005 #13. But if we don’t do that, one of us can do the fills and one can keep rhythm. We’ve had the same crew for about nine years. NO: I think I would like to produce a record or do a movie score. I play with the piano. They built a snare drum for me out of a log on my tenth anniversary, which was a couple of years ago. RF: Didn’t you originally use a huge, double bass drumkit? “When you play the ballads, you can feel the warmth from the crowd,” he says. Last night, I found that it was beginning to tell on me. I’m not saying that I never play the same thing twice, but I try to make it different each time. I could see that it was killing him to say it, but I taught him. I’d love to do a movie score. They’ve been very, very good to me. ous. It was kind of a drag that we weren’t used. I like coming out front when we do “Too Low For Zero,” but anything more than that, I like to be back there, keeping the time. The rest of practicing for me is just being on stage and doing the real thing. NO: Yes. John threw a "wobbler" during a show at the Colosseum in May, tossing a stool and water bottles across the stage and complaining generally about his management team. , Olsson in the backing band of Elton John in 2007, Captain Fantastic and the Brown Dirt Cowboy, "Drummer delivers solid walls of sound for Elton John", Live in Australia with the Melbourne Symphony Orchestra, Elton John One Night Only – The Greatest Hits, Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin, List of Elton John and Ray Cooper concert tours, Loud, Proud & Heavy: The Best of Uriah Heep, https://en.wikipedia.org/w/index.php?title=Nigel_Olsson&oldid=981872862, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 October 2020, at 22:35. [laughs]. All hell broke loose. I was with them for nine gigs when Elton asked me to do a promotional gig at the Roundhouse in London, to promote his album. I used to mime to records with a frying pan, pretending it was a guitar. It was just done that way to get a vocal effect, which I guess, you wouldn’t get the gist of unless you heard the record through headphones. It took him a lot of years to make it, but he finally did. Half of the time I would play with them, and the, other half I would get up front and sing. In fact, there seems to be nothing he does that doesn’t revolve around his heart. but anything more than that, I like to be back there, keeping the time. It was unbelievable, and it still is. I’m so glad to be blessed with all this. He racked up 5,000 miles in the six months that he owned the car before handing it on to Mr Olsson in June 1973. Nigel Olsson Wiki: Salary, Married, Wedding, Spouse, Family Template:Multiple issues Nigel Olsson (born 10 February 1949) is an English rock drummer, best known for his long-time affiliation with Elton John.A dynamic drummer and backing vocalist, Olsson helped establish the Elton John sound as a member of John's original power trio alongside bassist Dee Murray. Although the album was critically successful, it failed commercially when their label, Artful Balance, went bankrupt, and the band was unable to tour to support the record. A bunch of studio musicians made a record with a producer, released the record, it was a hit and the record company had to put a band together very quickly to promote the record. I loved his work on songs like ‘I Am the Walrus,’ and from him I learned that what you leave out makes it work.”. When not working with John, Olsson has taken up the role of a session musician. ever find yourself being a session player? onds later. I’ve got four more hours to sleep …” Finally, I fall into a good sleep, the phone rings and it’s baggage call. The Ferrari Dino 246FGT, one of fewer than 500, belonged to the singer for six months before he gave it to longstanding drummer, Nigel Olsson … The son of John and his husband, David Furnish, Zachary turns 2 on Christmas. Olsson is a longtime car and racing fanatic, and has been associated with the Vintage Auto Racing Association and the Historic Motor Sports Association in the United States as both a racecar driver and a pace car driver. I was sort of poverty stricken at that point. I just remembered another CD I have. I was up in John’s apartment and he said, “You know, the song you should do is ‘When A Man Loves A Woman,’ because you have that high voice.” So I said, “Why don’t you write me a song?” He asked what kind of song I would like him to write for me. RF: How does your approach to the drums change when you’re playing with another drummer or percussionist? I don’t know how good it would have been. I didn’t have the confidence to be a frontman and be the one who had to make all the decisions. Who you meet?”, But Olsson is not terribly fond of telling Elton stories. styles of playing. “Of course, by the end of it, everybody was crying,” Olsson says. NO: Not really. The remaining performances in this spree are tonight through Sunday and Oct. 26-28. Then I moved down to the Marina, which was even more intense. We had come back from France where we had recorded it, and he was mixing it down in London. I wouldn’t want to do anything else. They were rehearsing to go into the studio and then on the road. It’s not that I’m worried that I’ll drop a drumstick or play the wrong fill. I love doing that—again, from the heart. Following another line-up change, they would rejoin only one more time in 1988 for backing vocals on Reg Strikes Back prior to Murray's untimely death on 15 January 1992. ing of the band, and I wonder if you could. “But I’m proud of the emotion I put into the sound. He’s fabulous. “We’d go in and record an album, then go and tour. So I have it all there in head- phones. with the piano, it’s more free. We can go over there, make people smile and have a good time, and be in a crowded auditorium with thousands of people who aren’t fighting each other. : I get frightened to death every time I go out. RF: How do you deal with being on tour when you want to be home? He rejoined former bandmates Murray and Johnstone for the tour behind John's 1982 album Jump Up!, and stayed with the reformed band through the next two albums and tours for Too Low for Zero (1983) and Breaking Hearts (1984). The Ferrari Dino 246FGT, one of fewer than 500, belonged to the singer for six months before he gave it to longstanding drummer, Nigel Olsson … Occasionally when I break a snare head, I’ll use that on stage. There’s the money, the houses and the cars, but it gets tough out there sometimes, unpacking your suitcase and missing the family. It’s always been the same. RF: What have been some of the career highlights? I enjoy singing from the heart. The group featured Roger Hodgson (who later founded Supertramp) on vocals and Reginald Dwight -- later to be known as Elton John -- on keyboards. We had six weeks off and then I got a call from our tour manager saying, “Your flight leaves …” It wasn’t a case of “Do you, want to do another tour?” I’ve never even. I like to play with melody and lyrics, rather than doing rock ‘n’, roll—as in “Crocodile Rock” or “Saturday Night’s Alright.” I’d much rather play. The way Elton plays piano is just like on the record, so I tend to go with that. I hardly ever practiced. But I. low soon.” He kind of understands. : I can’t say that I sleep well and eat well, because I don’t. The roughest part of the tour is doing six in a row. RF: You’ve been with Slingerland for ten years. Then we joined, never found out really why he split the band up. RF: What were some of the projects you did? There’s the money, the houses and the cars, but it gets tough out there sometimes when you’re traveling around, never unpacking your suitcase and missing the family. : The stage kit has the metal rims, because they are a little bit louder and they travel better. You can’t talk to me before a concert. I love playing in the studio. Your email address will not be published. I’m basically afraid of being the frontman. NO: This tour is kind of a long one. NO: I write better if I’m in love or just over a relationship, but now it’s being on the road and missing people. That same year, Olsson returned to Elton John's band to begin a four-year tenure, appearing on John's albums 21 at 33 and The Fox. NO: I didn’t practice. He’s a great bloke. I like to get response out of it. When we start a tour, we usually rehearse for a couple of days, but we don’t do long, involved rehearsals. We’ve used a lot of drum machines on the last couple of albums, which I play along with. “(James) said he knew a shoe store down the street (from the Troubadour in L.A.), and you can get a job making shoes,” Olsson says, laughing. Elton’s music is so easy to play because it’s full of emotion. We are no longer accepting comments on this article. RF: Was it hard for you to deal with the parting of the ways in 1976? RF: I expected you to be a lot less shy from press I’d seen on you. your own Pins on Pinterest All, hell broke loose. The old band is back together, though, and it’s a lot of fun. My wife is from there, but I’ve always liked the South. There are still some things that we can do in the studio, background-wise, that I can’t do on stage because it’s an intricate vocal part and I have to do a fill over it. I only rehearsed with them. All I wanted to do was be on stage as a performer. © Las Vegas Sun, 2020, All Rights Reserved, Election Department Begins Scanning Mail-In Ballots. An hour before I go on, I’m shaking and just pacing the floor. I wake up, look at the clock, and think, “Okay, I have six more hours to sleep—great. After the gig, we would pick things apart. We saw you play for the Queen the other week on television and the school is very proud of you.” That was great. “Believe it or not, yeah, the way he plays drums is amazing,” Olsson says, grinning. Why don't libraries smell like bookstores? A close up of Nigel Olsson's bass drum. We had our problems in the beginning, and I left them at one stage because they weren’t coming through with stuff on the road.
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